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In reply to: Quintessence: Reversing the Fifth
Elara — Nov 2021: The End of Genealogix
The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.
She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.
Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.
Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.
When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”
The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.
And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.
She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”
Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.
Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.
As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.
Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.
By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.
Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”
It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.
Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.
The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.
In reply to: Quintessence: Reversing the Fifth
The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.
Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph. The white bull.
Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways. Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods. She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.
Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him. Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.
You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.
They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees. Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.
Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.
Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours.
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.
Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that. So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it? Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.
In reply to: Quintessence: Reversing the Fifth
The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.
She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.
Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey. She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.
At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.
Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.
Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.
Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.
The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.
By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel tilted her head, scrutinizing the frame with the practiced eye of a social media sorceress. The lighting was perfect—each flickering hue of orange and blue cast an ethereal glow over the witches’ relaxed forms. It was the kind of aesthetic her followers adored: ancient mysticism meets futuristic chic. The “techno-witch” hashtag would trend for weeks.
She whispered a quick spell under her breath—just a touch of glamour magic to ensure the shadows curved flatteringly across their faces. Never leave it all to filters, she reminded herself. Technology might be powerful, but spells were eternal.
As the camera hovered over Eris, Jeezel panned dramatically, emphasizing the stiff pose that made her friend look like an extra from an undead fashion campaign. “Timeless and terrifying,” Jeezel murmured approvingly. Frella’s melancholic pout came next, her expression so perfectly tragic it might summon a thousand sympathetic comments. #WitchSadGirlAesthetic.
And Truella—oh, Truella. Jeezel stifled a laugh as she zoomed in on the haphazard limbs sprawled across the pod, her fingers angled like she was trying to signal something in a forgotten language. Maybe a plea for help from the gods of symmetry.
“Goddess-tier content,” Jeezel whispered as she adjusted the selfie stick for the final shot: a dramatic sweep across the room, showing the full ambiance of their enchanted retreat. The subtle hum of spells harmonizing with the VR pods’ whirring was audible in the background. She imagined the caption now:
“Modern coven vibes; Ancient spells, virtual worlds, and one unforgettable vacation. #TechnoWitchLife #VacationMagic #TimeTravelGoals”
Perfect. Another masterpiece to feed the algorithm.
With a satisfied smirk, she hit “post” and leaned back into her own pod. Her followers would marvel at the blend of mystique and modernity—and probably try to copy the look themselves. As the first comments rolled in, Jeezel couldn’t help but think, The real magic these days isn’t just in the spells we cast—it’s in the stories we tell.
In reply to: The Incense of the Quadrivium’s Mystiques
The year 480 AD. It was there hovering in her mind the moment she woke up the morning after Eris had mentioned the DNA spell idea. 480 AD. But why? And it seemed strangely familiar, as if she’d dreamed of that date before. Mumbling the date over and over, Truella pushed the bed covers back, noted the welcome slight chill of the October morning, and made her way blindly to the kitchen to make coffee. 480 AD. Why, though?
Eris’s change of tune yesterday about the paperwork had given her a slight inward chuckle, but it was a good sign. And Eris had been right: Truella did like the DNA idea. At first she’d wondered if she would find something containing DNA. Then she reminded herself that she herself contained DNA available to use. But what was the year 480 AD to do with it?
Taking her steaming mug of coffee outside, Truella sat down under the porch and lit a cigarette. Too late for Romans but then what was next after Romans? It would have made more sense if it was 1480 AD, when Cromwell was born.
Oh, but what an idea! Yes! The DNA of Cromwell! She was reminded of the pieces of Hannibals tunic, and the efficacy of that spell. If they could find a bit of that old tunic, they could surely time travel back to gather some DNA from old Thomas. Truella giggled, imagining herself appearing in Cromwell’s chamber, armed with a cotton swab. “If you please, my Lord, open wide, this will only take a moment.”
He would rub his eyes, wondering if the fever had returned. What was this unseemly wench doing in here, bearing an uncanny resemblance to Lizzie, his dead wife. “Open wide,” she would say, for all the world as if she was the one giving the orders. “My lady, if you please to explain your purpose?” he would replied calmly, rather amused at the incomprehensible interlude.
“Well if you must know, we need some of your DNA. Yes, yes, I know you don’t know what that is yet, I’ve come from the future you see, and we know a lot more. Well, that’s not strictly true or I wouldn’t be here now. We know more about some things, but other things haven’t changed much. It’s the sea of paperwork we’re drowning in. Nobody could have more paperwork than you, my Lord Cromwell, but you have a particularly efficient way of dealing with it.”
“Are you referring to the Tower and the …”
“Gosh, no! No, we don’t plan to execute anyone. We just need a bit, a tiny bit, of your DNA to use in a spell…”
Suddenly Cromwell understood who this woman was. He didn’t need to call for the man who dealt with postcards from the future: everyone knows that Cromwell never forgets any paperwork he’s ever seen. In the future they called it photographic memory, but of course it wasn’t called that in his time.
“You, my lady, are one of those witches from the future, are you not? And why, pray, would I be willing to assist with witchcraft?”
“Well, why not?” retorted Truella. “You won’t be around to be executed for heresy, you were already..” She clapped her hand to her mouth. He didn’t know about that yet, obviously.
Cromwell merely raised a sardonic eyebrow. “I don’t want to know when,” he said calmly. He knew his days were numbered.
“Now, there a number of ways we can collect a bit of your DNA, sir, any bodily fluid will do,” Truella said, and then blushed deeply. Well, why not? she asked herself, and then wondered, What if he hasn’t had a bath for six months?
In reply to: The Incense of the Quadrivium’s Mystiques
It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s. But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.
Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children. Her older siblings had already married and left home when she was growing up, and her parents were elderly. She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river. She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.
Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it. Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up and get out of her peculiar ways. Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.
It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered. The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.
One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.
“Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push. “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.
Flora did as she was bid, and slowly approached the shade of the old willow. As soon as she reached the dangling branches, the tree whispered a welcome to her. She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.
“Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit. Gratefully, and with a welcome sigh, Flora joined her.
Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.
Over the years, the willow tree shared it’s secrets with them both.
One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches. They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time. In fact, they were unable to read it, as girls were seldom taught to read in those days. They secreted the old tome in the trunk in the attic with the other things they’d found.
Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic, and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments. Truella took the trunk for safekeeping.
When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!
In reply to: The Incense of the Quadrivium’s Mystiques
Was it safe to just leave Frigella and go to bed? Truella was exhausted. But Frigella was losing her mind. How could anyone possibly mistake a nice syrah for a zinfrandal? And why did she keep calling her Sanso?
“No, not now!” Truella said, starting to get exasperated. “It’s time for bed now. I meant go and get some fresh air tomorrow.” She couldn’t go to bed and leave Frigella wandering around in the dark, not after the Hippocampus fiasco. “Time for bed,” she said firmly, standing up. “You must be tired after all that driving. Here, let me show you to the caravan where you’ll be sleeping.”
Obediently Frigella stood up, downing the remains of her wine. I’ll sneak out after Truella’s gone to bed.
In reply to: Family Stories From The Other Side ~ Book Two
Solomon Stubbs
1781-1857
Solomon was born in Hamstall Ridware, Staffordshire, parents Samuel Stubbs and Rebecca Wood. (see The Hamstall Ridware Connection chapter)
Solomon married Phillis Lomas at St Modwen’s in Burton on Trent on 30th May 1815. Phillis was the llegitimate daughter of Frances Lomas. No father was named on the baptism on the 17th January 1787 in Sutton on the Hill, Derbyshire, and the entry on the baptism register states that she was illegitimate. Phillis’s mother Frances married Daniel Fox in 1790 in Sutton on the Hill. Unfortunately this means that it’s impossible to find my 5X great grandfather on this side of the family.
Solomon and Phillis had four daughters, the last died in infancy.
Sarah 1816-1867, Mary (my 3X great grandmother) 1819-1880, Phillis 1823-1905, and Maria 1825-1826.Solomon Stubbs of Horninglow St is listed in the 1834 Whites Directory under “China, Glass, Etc Dlrs”. Next to his name is Joanna Warren (earthenware) High St. Joanna Warren is related to me on my maternal side. No doubt Solomon and Joanna knew each other, unaware that several generations later a marriage would take place, not locally but miles away, joining their families.
Solomon Stubbs is also listed in Whites Directory in 1831 and 1834 Burton on Trent as a land carrier:
“Land Carriers, from the Inns, Etc: Uttoxeter, Solomon Stubbs, Horninglow St, Mon. Wed. and Sat. 6 mng.”
Solomon is listed in the electoral registers in 1837. The 1837 United Kingdom general election was triggered by the death of King William IV and produced the first Parliament of the reign of his successor, Queen Victoria.
National Archives:
“In 1832, Parliament passed a law that changed the British electoral system. It was known as the Great Reform Act, which basically gave the vote to middle class men, leaving working men disappointed.
The Reform Act became law in response to years of criticism of the electoral system from those outside and inside Parliament. Elections in Britain were neither fair nor representative. In order to vote, a person had to own property or pay certain taxes to qualify, which excluded most working class people.”Via the Burton on Trent History group:
“a very early image of High street and Horninglow street junction, where the original ‘ Bargates’ were in the days of the Abbey. ‘Gate’ is the Saxon meaning Road, ‘Bar’ quite self explanatory, meant ‘to stop entrance’. There was another Bargate across Cat street (Station street), the Abbot had these constructed to regulate the Traders coming into town, in the days when the Abbey ran things. In the photo you can see the Posts on the corner, designed to stop Carts and Carriages mounting the Pavement. Only three Posts remain today and they are Listed.”
On the 1841 census, Solomon’s occupation was Carrier. Daughter Sarah is still living at home, and Sarah Grattidge, 13 years old, lives with them. Solomon’s daughter Mary had married William Grattidge in 1839.
Solomon Stubbs of Horninglow Street, Burton on Trent, is listed as an Earthenware Dealer in the 1842 Pigot’s Directory of Staffordshire.
In May 1844 Solomon’s wife Phillis died. In July 1844 daughter Sarah married Thomas Brandon in Burton on Trent. It was noted in the newspaper announcement that this was the first wedding to take place at the Holy Trinity church.
Solomon married Charlotte Bell by licence the following year in 1845. She was considerably younger than him, born in 1824. On the marriage certificate Solomon’s occupation is potter. It seems that he had the earthenware business as well as the land carrier business, in addition to owning a number of properties.
The marriage of Solomon Stubbs and Charlotte Bell:
Also in 1845, Solomon’s daughter Phillis was married in Burton on Trent to John Devitt, son of CD Devitt, Esq, formerly of the General Post Office Dublin.
Solomon Stubbs died in September 1857 in Burton on Trent. In the Staffordshire Advertiser on Saturday 3 October 1857:
“On the 22nd ultimo, suddenly, much respected, Solomon Stubbs, of Guild-street, Burton-on-Trent, aged 74 years.”
In the Staffordshire Advertiser, 24th October 1857, the auction of the property of Solomon Stubbs was announced:
“BURTON ON TRENT, on Thursday, the 29th day of October, 1857, at six o’clock in the evening, subject to conditions then to be produced:— Lot I—All those four DWELLING HOUSES, with the Gardens and Outbuildings thereto belonging, situate in Stanleystreet, on Goose Moor, in Burton-on-Trent aforesaid, the property of the late Mr. Solomon Stubbs, and in the respective occupations of Mr. Moreland, Mr. Scattergood, Mr. Gough, and Mr. Antony…..”
Sadly, the graves of Solomon, his wife Phillis, and their infant daughter Maria have since been removed and are listed in the UK Records of the Removal of Graves and Tombstones 1601-2007.
In reply to: The Chronicles of the Flying Fish Inn
Finley turned off the vacuum cleaner and cleared her throat loudly. “Mater, I need time off. Next week.”
Mater paled. “Oh Finley, surely not now. With all the guests at the moment … and we are still cleaning up from the dust … ” her voice trailed off.
“Selfish cow,” muttered Idle. She was reclining on the sofa with a magazine and a drink. Taking a well earned rest, she had snapped when Mater asked when she was going to pull her weight. She slapped her magazine down on the coffee table. “I suppose I will have to do everything!”
With just the merest hint of an eye roll, Finley continued. “My cousin Finnley who works for the writer told me about a convention. I’m quite excited.” Mater and Idle regarded her intently, wondering what an excited Finley would look like. I didn’t notice anything much, Mater confessed to Idle later in a rare moment of camaraderie.
“So?” snapped Idle. “What is it then?”
Finley turned on the vacuum cleaner. “Dustsceawaung convention. In Tasmania,” she shouted over the whirr.
In reply to: Orbs of Madjourneys
The black BMW pulled up outside the Flying Fish Inn. Sister Finli pulled a baseball cap low over her big sunglasses before she got out of the car. Yasmin was still in the bar with her friends and Finli hoped to check in and retreat to her room before they got back to the inn.
She rang the bell on the reception desk several times before an elderly lady in a red cardigan appeared.
“Ah yes, Liana Parker,” Mater said, checking the register. Liana managed to get a look at the register and noted that Yasmin was in room 2. “Room 4. Did you have a good trip down? Smart car you’ve got there,” Mater glanced over Liana’s shoulder, “Don’t see many like that in these parts.”
“Yes, yes,” Finli snapped impatiently (henceforth referred to to as Liana). She didn’t have time for small talk. The others might arrive back at any time. As long as she kept out of Yasmin’s way, she knew nobody would recognize her ~ after all she had been abandoned at birth. Even if Yasmin did find her out, she only knew her as a nun at the orphanage and Liana would just have to make up some excuse about why a nun was on holiday in the outback in a BMW. She’d cross that bridge when she came to it.
Mater looked over her glasses at the new guest. “I’ll show you to your room.” Either she was rude or tired, but Mater gave her the benefit of the doubt. “I expect you’re tired.”
Liana softened and smiled at the old lady, remembering that she’d have to speak to everyone in due course in order to find anything out, and it wouldn’t do to start off on the wrong foot.
“I’m writing a book,” Liana explained as she followed Mater down the hall. “Hoping a bit of peace and quiet here will help, and my book is set in the outback in a place a bit like this.”
“How lovely dear, well if there’s anything we can help you with, please don’t hesitate to ask. Old Bert’s a mine of information,” Mater suppressed a chuckle, “Well as long as you don’t mention mines. Here we are,” Mater opened the door to room 4 and handed the key to Liana. “Just ask if there’s anything you need.”
Liana put her bags down and then listened at the door to Mater’s retreating steps. Inching the door open, she looked up and down the hallway, but there was nobody about. Quickly she went to room 2 and tried the door, hoping it was open and she didn’t have to resort to other means. It was open. What a stroke of luck! Liana was encouraged. Within moments Liana found the parcel, unopened. Carefully opening the door, she looked around to make sure nobody was around, leaving the room with the parcel under her arm and closing the door quietly, she hastened back to room 4. She nearly jumped out of her skin when a voice piped up behind her.
“What’s that parcel and where are you going with it?” Prune asked.
“None of your business you….” Liana was just about to say nosy brat, and then remebered that she would catch more flies with honey than vinegar. It was going to be hard for her to remember that, but she must try! She smiled at the teenager and said, “A dreamtime gift for my gran, got it in Alice. Is there a post office in town?”
Prune narrowed her eyes. There was something fishy about this and it didn’t take her more than a second to reach the conclusion that she wanted to see what was in the parcel. But how?
“Yes,” she replied, quick as a flash grabbing the parcel from Liana. “I’ll post it for you!” she called over her shoulder as she raced off down the hall and disappeared.
“FUCK!” Liana muttered under her breath, running after her, but she was nowhere to be seen. Thankfully nobody else was about in the reception area to question why she was running around like a madwoman. Fuck! she muttered again, going back to her room and closing the door. Now what? What a disaster after such an encouraging start!
Prune collided with Idle on the steps of the verandah, nearly knocking her off her feet. Idle grabbed Prune to steady herself. Her grip on the girls arm tightened when she saw the suspicious look on face. Always up to no good, that one. “What have you got there? Where did you get that? Give me that parcel!”
Idle grabbed the parcel and Prune fled. Idle, holding onto the verandah railing, watched Prune running off between the eucalyptus trees. She’s always trying to make a drama out of everything, Idle thought with a sigh. Hardly any wonder I suppose, it must be boring here for a teenager with nothing much going on.
She heard a loud snorting laugh, and turned to see the four guests returning from the bar in town, laughing and joking. She put the parcel down on the hall table and waved hello, asking if they’d had a good time. “I bet you’re ready for a bite to eat, I’ll go and see what Mater’s got on the menu.” and off she went to the kitchen, leaving the parcel on the table.
The four friends agreed to meet back on the verandah for drinks before dinner after freshening up. Yasmin kept glancing back at the BMW. “That woman must be staying here!” she snorted. Zara grabbed her elbow and pulled her along. “Then we’ll find out who she is later, come on.”
Youssef followed Idle into the kitchen to ask for some snacks before dinner (much to Idle’s delight), leaving Xavier on the verandah. He looked as if he was admiring the view, such as it was, but he was preoccupied thinking about work again. Enough! he reminded himself to relax and enjoy the holiday. He saw the parcel on the table and picked it up, absentmindedly thinking the black notebook he ordered had arrived in the post, and took it back to his room. He tossed it on the bed and went to freshen up for dinner.
In reply to: Orbs of Madjourneys
As the four of them walked into the tavern, having walked the mile or so from the Flying Fish Inn to the main street of the tiny town, Zara noticed the black BMW that she and Yasmin had seen parked outside the Piggly supermarket on the way back from the airport in Alice. She elbowed Yasmin in the ribs to point it out, but there was no need as Yasmin was already snorting nervously at the sight of it.
Sister Finli caught sight of them as she was just about to leave Betsy’s gem shop and paused until they’d disappeared into the bar before leaving the shop. It was the first time that Finli had seen Betsy in the flesh, and what a lot of flesh there was to see. Finli was horrifed, comparing her own elegant thin fingers with the fat sausage like digits of Betsy. She would never have expected Betsy to look this way. Still, it had thrown her, and she lost her usual efficient composure and quickly purchased a pink speckled gummy bear necklace. Annoyingly, this transaction reminded her that she seemed to have lost her crucifix.
Finli was an orphan. The nuns had named her Finean Lisa. Finean meant beautiful daughter, and Lisa meant devoted to god. Later they shortened it to Finli. She’d spent all her life at the orphanage in Suva, having been deposited there at birth, and although she had no particular calling to be a nun, she had not known what else to do with her life. It was the only family she’d ever known, and so she stayed on. It was only in the past year or two that she’d had any curiosity about who her real parents were, when she read about DNA tests and ancestry research. She’d been told in the past that no records existed as she had been found on the doorstep of the orphanage one morning 43 years ago. The knowledge had filled her with comtempt for her parents, whoever they were, and for the most part she pushed them from her mind, not caring to know. But when she read about all the successes of adopted people finding their real parents, she was consumed with curiosity. At first she just wanted to know who they were. But once she had found their names, she wanted to know more. She wanted to know why. One thing led to another.
Her real father had disappeared, lost down some mines although the story there was far from clear. Indeed, that particular story was a darn sight more than unclear, it was downright fishy. Her real mother was was alive and kicking, and living near to the mines where Howard had disappeared. Finli deduced that she must have been born, or at least conceived, in this godforsaken place in the outback. What an ignominous start to her uneventful life.
She knew that Fred was her uncle, but she had not told him she knew that. Did Fred know who she was? He’d always been kind to her, but then, he was affable to everyone. When it came to her knowledge that Fred had given that tiresome snorting volunteer girl a parcel to take with her, to, of all places! that very town in the outback, Finli simply had to know what was in it. But she didn’t want to spill the beans too soon, in case it hindered her attempts to find the truth about Howard, her father. She decided to travel to the town incognito. But how was she going to find the money for it? Well, she knew she was burning her bridges, but she had to do it. She stole the golden chalice from the church and sold it on Ubay. She was suprised at how much money it fetched. Not only could she afford the trip, she could do it in style.
It was an exciting adventure, but Finli was not accustomed to travel and adventure. In fact, she was dreading meeting her mother. At times she wished she’d just stayed at the orphanage. But it was too late now. She was here.
In reply to: Orbs of Madjourneys
The package in her hands was from Fred and, now she was at the airport, Yasmin was seriously contemplating whether to chuck it in the nearest bin. She hadn’t wanted to take the damn thing in the first place. It was hard to say no to Sister Aliti.
“Fred asked could you please take it to the Fish Inn, or something like that.” Sister Aliti had beamed at her. She was holding out a thin parcel wrapped in brown paper and securely fastened with a whole lot of masking tape.
“But how did he know I was going there?” Yasmin had sounded more sharp than she’d intended but she hadn’t really warmed to Fred. He made her nervous.
“You didn’t tell him?” Sister Aliti shrugged. “I didn’t tell him. Perhaps it was Sister Finli … She took the van with him yesterday.” She’d looked intently at Yasmin. “Oh dear, was it private?”
Yasmin felt foolish. “Oh, no, of course it wasn’t and it doesn’t matter …. I was just surprised.” She’d peered at the red biro scrawled on the paper wrapping. “I wonder who is … Mater?”
“He said it was a distant relation! Isn’t it just so wonderful he can reconnect through you! God works in mysterious ways indeed!”
Of course it had been Sister Finli who had told Fred. Prying busybody. Yasmin had caught her in her room a couple of days ago. Sister Finli had her back to the door and was bent over Yasmin’s desk. She’d jumped and swung round at Yasmin’s, “Hello?”
“It’s a pig sty in here,” she’d hissed, jabbing a sharp finger towards Yasmin. Then her mouth curled into a smile. “I just came in to tell you you are needed in the recreation room to look after the children but was distracted by this …” She’d slid her eyes around the room and shuddered. Yasmin followed her gaze. She’d left a few items of clothing in neat piles on the bed because she was packing but everything else looked in order. After Sister Finli had flounced out of the room, Yasmin noticed her itinerary was lying open on the desk.
But why tell Fred?
She’d messaged Zara. Do you think I should I open the package? And couldn’t he just post it?
LOL, Zara messaged back. Yes open it! It’s drugs. Obv. Oh and more to the point, you are way behind the rest of us in the game. So use your flight time wisely!
In reply to: Orbs of Madjourneys
Yasmin was having a hard time with the heavy rains and mosquitoes in the real-world. She couldn’t seem to make a lot of progress on finding the snorting imp. She was feeling discouraged and unsure of what to do next.
Suddenly, an emoji of a snake appeared on her screen. It seemed to be slithering and wriggling, as if it was trying to grab her attention. Without hesitation, Yasmin clicked on the emoji.
She was taken to a new area in the game, where the ground was covered in tall grass and the sky was dark and stormy. She could see the snorting imp in the distance, but it was surrounded by a group of dangerous-looking snakes.
Clue unlocked It sounds like you’re having a hard time in the real world, but don’t let that discourage you in the game. The snorting imp is nearby and it seems like the snakes are guarding it. You’ll have to be brave and quick to catch it. Remember, the snorting imp represents your determination and bravery in real life.
Rude! thought Yasmin. Telling me I’m having a hard time! And I’m supposed to be the brains of the group! Suddenly the screen went blank. “Oh blimmin dodgy internet!” she moaned.
“Road’s closed with the flooding,” said a man from the kitchen door. Yasmin didn’t know him; he had a tinge of an accent and took up a lot of space in the doorway. “They reckon it should be clear by tomorrow though.”
“Fred!” Sister Aliti looked up from chopping yam and beamed. She pointed her knife at Yasmin who was washing the breakfast dishes. “Have you met Yasmin? One of our new volunteers. Such a good girl.” The knife circled towards the door. “Yasmin this is Fred – Fred drives the van for us when we are too busy to do it ourselves. So very kind.” She smiled fondly at the man.
Fred nodded and, taking a step into the kitchen, he stuck a hand towards Yasmin. She quickly wiped her damp hands on her skirt before taking it. Fred’s hand was brown and weathered like his face and he gripped her fingers firmly.
“Nice to meet you Yasmin. So where are you from?”
“Oh, um, I’ve been living in London most recently but originally from Manchester.” Yasmin noticed he had a snake tattoo curling up his inner bicep, over his shoulder and disappearing under his black singlet. “Is your accent Australian?”
A flicker of a frown crossed Fred’s face and Yasmin felt anxious. “Sorry,” she mumbled, although she wasn’t sure what for. “It’s just I’m visiting soon …”
“Yeah, originally. But I’ve not been back home for while.” His eyes drifted to the kitchen window and stayed there. For a moment, they all watched the rain pelt against the glass.
Sister Aliti broke the silence. “Fred’s a writer,” she said sounding like a proud mother.
“Oh, that’s so cool! What do you write?” Yasmin immediately worried she’d been too nosy again. “I’ve always wanted to write!” she added brightly which wasn’t true, she’d never given it much thought. Realising this, and to her horror, she snort laughed.
Fred dragged his eyes back from the window and looked at her with amusement. “Yeah? Well you should go for it!” He turned to Sister Aliti. “Internet’s down again too with this weather,” He dug into the pocket of his shorts and dangled some keys in the air. “I’ll leave the van keys with you but I’ll be back tomorrow, if the rain’s stopped.” The keys clanked onto the bench.
“He’s such a chatterbox,” murmured Sister Aliti after Fred had gone and Yasmin laughed.
“Shall I put these in the office?” Yasmin gestured to the set of keys then gasped as she saw that on the keychain was a devilish looking imp grinning up at her.
In reply to: Orbs of Madjourneys
In the muggy warmth of the night, Yasmin tossed and turned on her bed. A small fan on the bedside table rattled noisily next to her but did little to dispel the heat. She kicked the thin sheet covering her to the ground, only to retrieve it and gather it tightly around herself when she heard a familiar sound.
“You little shit,” she hissed, slapping wildly in the direction of the high pitched whine.
She could make out the sound of a child crying in the distance and briefly considered getting up to check before hearing quick footsteps pass her door. Sister Aliti was on duty tonight. She liked Sister Aliti with her soft brown eyes and wide toothy smile — nothing seemed to rattle her. She liked all the Nuns, perhaps with the exception of Sister Finnlie.
Sister Finnlie was a sharp faced woman who was obsessed with cleanliness and sometimes made the children cry for such silly little things … perhaps if they talked too loudly or spilled some crumbs on the floor at lunch time. “Let them be, Sister,” Sister Aliti would admonish her and Sister Finnlie would pinch her lips and make a huffing noise.
The other day, during the morning reflection time when everyone sat in silent contemplation, Yasmin had found herself fixated on Sister Finnlie’s hands, her thin fingers tidily entwined on her lap. And Yasmin remembered a conversation with her friends online about AI creating a cleaning woman with sausage fingers. “Sometimes they look like a can of worms,” Youssef had said.
And, looking at those fingers and thinking about Youssef and the others and the fun conversations they had, Yasmin snort laughed.
She had tried to suppress it but the more she tried the more it built up inside of her until it exploded from her nose in a loud grunting noise. Sister Aliti had giggled but Sister Finnlie had glared at Yasmin and very pointedly rolled her eyes. Later, she’d put her on bin cleaning duty, surely the worst job ever, and Yasmin knew for sure it was pay back.
In reply to: Prompts of Madjourneys
Zara’s first quest:
entry level quirk: wandering off the track
The initial setting for this quest is a dense forest, where the paths are overgrown and rarely traveled. You find yourself alone and disoriented, with only a rough map and a compass to guide you.
Possible directions to investigate include:
Following a faint trail of footprints that lead deeper into the forest
Climbing a tall tree to get a better view of the surrounding area
Searching for a stream or river to use as a guide to find your way out of the forest
Possible characters to engage include:
A mysterious hermit who lives deep in the forest and is rumored to know the secrets of the land
A lost traveler who is also trying to find their way out of the forest
A group of bandits who have taken refuge in the forest and may try to steal from you or cause harm
Your objective is to find the Wanderlust tile, a small, intricately carved wooden tile depicting a person walking off the beaten path. This tile holds the key to unlocking your inner quirk of wandering off the track.
As proof of your progress in the game, you must find a way to incorporate this quirk into your real-life actions by taking a spontaneous detour on your next journey, whether it be physical or mental.
For Zara’s quest:
As you wander off the track, you come across a strange-looking building in the distance. Upon closer inspection, you realize it is the Flying Fish Inn. As you enter, you are greeted by the friendly owner, Idle. She tells you that she has heard of strange occurrences happening in the surrounding area and offers to help you in your quest
Emoji clue: 🐈🌳
Zara (the character in the game)
characteristics from previous prompts:
Zara is the leader of the group
she is confident, and always ready for an adventure. She is a natural leader and has a strong sense of justice. She is also a tech-savvy person, always carrying a variety of gadgets with her, and is always the first to try out new technology.Zara is the leader of the group, her color is red, her animal is a lion, and her secret name in a funny language is “Zaraloon”
Zara (the real life story character)
characteristics from previous prompts:
Zara Patara-Smythe is a 57-year-old woman of mixed heritage, her mother is Indian and her father is British. She has long, dark hair that she keeps in an untidy ponytail, dark brown eyes and a sharp jawline. She stands at 5’6″ and has a toned and athletic build. She usually wears practical clothing that allows her to move around easily, such as cargo pants and a tank top.
prompt quest:
Continue to investigate the mysterious cat she saw, possibly seeking out help from local animal experts or veterinarians.
Join Xavier and Yasmin in investigating the Flying Fish Inn, looking for clues and exploring the area for any potential leads on the game’s quest.In reply to: The Chronicles of the Flying Fish Inn
You won’t beleive this, I said to Mater, and she said I probably won’t before giving me a chance to finish. I ignored her as usual and told her about the bookings. Bookings, she screeched like a demented parrot, bookings? Since when did we have bookings. She even had the cheek to tell me I was living in the past, imagining we had bookings. I told her she was the one living in the past, the past when we had no bookings, and that I was living in the present because we had four people booked to stay at the inn, and we did indeed have bookings and that she should take off that old red pantsuit and put something practical on because we had a great deal of cleaning to do. Then she did her screeching parrot routine with the word cleaning, and I left her to it and went to tell Bert.
I don’t know what I’d have done without good old Bert over the years. I started to get a bit screechy myself with the panic when I was telling him, but he calmed me right down and started to make a list of the things that needed doing in order of importance. Start with preparing a bedroom each, he said, and get Mater to go down to the kitchen and make a shopping list. I said Bert are you sure that’s wise, Mater in charge of supplies, and he said no it aint wise but who else is going to do it?
I left Bert clanging away with the boiler trying to get some hot water out of it, and went to get some dusters and a broom and had to dust them off a bit, been a long time since anyone looked in the broom cupboard, and lo and behold Mater appears dressed as a 17th century serving wench. I let that pass without comment, but I did tell her to try and be sensible with the shopping list.
In reply to: The Sexy Wooden Leg
“Watch where you are going, Child!” Egbert’s tone was sharp.
“Excuse me,” said Maryechka, hunching her shoulders and making herself small as a mouse so she could squeeze past Egbert’s oversized suitcase.
“To be fair, Old Man,” said Olga, glad of the excuse to pause, “you are taking up all the available space on the stairs with those bags.” She peered at Maryechka. “You are Obadiah’s girl aren’t you?”
Maryechka nodded shyly. “He’s my grandpa.” She frowned at the suitcases. “Are you going on holiday?”
“Never you mind that,” said Egbert. “You run along and see your Grandpa.”
Maryechka ducked past the bag and ran up the steps.
“Oy,” said Olga. “What I wouldn’t give for the agility of youth again.” Gripping the wooden hand rail, she stretched out her ankle and grimaced.
“Obadiah is stubborn as a mule,” said Egbert. “I tried warning him! He said he’d die in his room if it came to it.”
“Pfft,” said Olga. “That one will land on his big stinking feet. And he can hear better than he lets on. Is it him spreading the tales about me?”
Egbert dropped his bags and sat heavily on the step. He put his head in his hands and groaned. “Is it right though, Olga? Is it right that we leave our friends to their fate?”
It occurred to Olga that Egbert may be hiding his head so as not to answer her question. However, realising his mental state was fragile, she thought it prudent to keep to the matter at hand. It will keep, she thought.
“Obadiah and myself, we grew up together,” continued Egbert with what sounded like a sob. “We worked together on the farm as young men.” He raised his head and glared at Olga. “How can you expect me to leave him without a word of farewell? Have you no heart?”
In reply to: The Sexy Wooden Leg
The sharp rat-a-tat on the door startled Olga Herringbonevsky. The initial surprise quickly turned to annoyance. It was 11am and she wasn’t expecting a knock on the door at 11am. At 10am she expected a knock. It would be Larysa with the lukewarm cup of tea and a stale biscuit. Sometimes Olga complained about it and Larysa would say, Well you’re on the third floor so what do you expect? And she’d look cross and pour the tea so some of it slopped into the saucer. So the biscuits go stale on the way up do they? Olga would mutter. At 10:30am Larysa would return to collect the cup and saucer. I can’t do this much longer, she’d say. I’m not young any more and all these damn stairs. She’d been saying that for as long as Olga could remember.
For a moment, Olga contemplated ignoring the intrusion but the knocking started up again, this time accompanied by someone shouting her name.
With a very loud sigh, she put her book on the side table, face down so she would not lose her place for it was a most enjoyable whodunit, and hauled herself up from the chair. Her ankle was not good since she’d gone over on it the other day and Olga was in a very poor mood by the time she reached the door.
“Yes?” She glowered at Egbert.
“Have you seen this?” Egbert was waving a piece of paper at her.
“No,” Olga started to close the door.
“Olga stop!” Egbert’s face had reddened and Olga wondered if he might cry. Again, he waved the piece of paper in her face and then let his hand fall defeated to his side. “Olga, it’s bad news. You should have got a letter .”
Olga glanced at the pile of unopened letters on her dresser. It was never good news. She couldn’t be bothered with letters any more.
“Well, Egbert, I suppose you’d better come in”.
“That Ursula has a heart of steel,” said Olga when she’d heard the news.
“Pfft,” said Egbert. “She has no heart. This place has always been about money for her.”
“It’s bad times, Egbert. Bad times.”
Egbert nodded. “It is, Olga. But there must be something we can do.” He pursed his lips and Olga noticed that he would not meet her eyes.
“What? Spit it out, Old Man.”
He looked at her briefly before his eyes slid back to the dirty grey carpet. “I have heard stories, Olga. That you are … well connected. That you know people.”
Olga noticed that it had become difficult to breathe. Seeing Egbert looking at her with concern, she made an effort to steady herself. She took an extra big gasp of air and pointed to the book face-down on the side table. “That is a very good book I am reading. You may borrow it when I have finished.”
Egbert nodded. “Thank you.” he said and they both stared at the book.
“It was a long time ago, Egbert. And no business of anyone else.” Olga knew her voice was sharp but not sharp enough it seemed as Egbert was not done yet with all his prying words.
“Olga, you said it yourself. These are bad times. And desperate measures are needed or we will all perish.” Now he looked her in the eyes. “Old woman, swallow your pride. You must save yourself and all of us here.”
In reply to: Twists and One Return From the Time Capsule
Nora moves silently along the path, placing her feet with care. It is more overgrown in the wood than she remembers, but then it is such a long time since she came this way. She can see in the distance something small and pale. A gentle gust of wind and It seems to stir, as if shivering, as if caught.
Nora feels strange, there is a strong sense of deja vu now that she has entered the forest.
She comes to a halt. The trees are still now, not a leaf stirs. She can hear nothing other than the sound of her own breathing. She can’t see the clearing yet either, but she remembers it’s further on, beyond the next winding of the path. She can see it in her mind’s eye though, a rough circle of random stones, with a greenish liquid light filtering through. The air smells of leaf mould and it is spongy underfoot. There’s a wooden bench, a grassy bank, and a circular area of emerald green moss. Finn thinks of it as place of enchantment, a fairy ring.
Wait! Who is Finn? Where is this story coming from that whispers in her ear as she makes her way through the woods to her destination, the halfway point of her clandestine journey? Who is Finn?
She reaches the tiny shivering thing and sees that it is a scrap of paper, impaled on a broken branch. She reaches out gently and touches it, then eases if off the branch, taking care not to rip it further. There is a message scribbled on the paper, incomplete. meet me, is all it says now
The crumpled up paper among the dead leaves beside the path catches her eye. No, not impaled on a branch but still, a bit of paper catches her eye as the mysterious ~ ephemeral, invisible ~ story teller continues softly telling her tale
Finn feels dreamy and floaty. She smiles to herself, thinking of the purpose of her mission, feeling as though it is a message to her from the past. She is overwhelmed for a moment with a sense of love and acceptance towards her younger self. Yes, she whispers softly to the younger Finn, I will meet you at the fairy ring. We will talk a bit. Maybe I can help
But wait, there is no meaningful message on the crumpled paper that Nora picks up and opens out. It’s nothing but a shopping receipt. Disappointed, she screws it back up and aims to toss it into the undergrowth, but she hesitates. Surely it can’t have no meaning at all, she thinks, not after the strange whispered story and the synchronicity of finding it just at that moment. She opens it back up again, and reads the list of items.
Olive oil, wine, wheat, garum…. wait, what? Garum? She looks at the date on the receipt ~ a common enough looking till roll receipt, the kind you find in any supermarket ~ but what is this date? 57BC? How can that be? Even if she had mistranslated BC ~ perhaps it means British Cooperative, or Better Compare or some such supermarket name ~ the year of 57 makes little sense anyway. And garum, how to explain that! Nora only knows of garum in relation to Romans, there is no garum on the shelves between the mayonaisse and the ketchup these days, after all.
Nora smooths the receipt and folds it neatly in half and puts it in her pocket. The shadows are long now and she still has some distance to walk before the halfway village. As she resumes her journey, she hears whispered in her ear: You unlocked the blue diamond mode. You’re on a quest now!
Smiling now, she accelerates her pace. The lowering sun is casting a golden light, and she feels fortified.
In reply to: Twists and One Return From the Time Capsule
Grandpa Bob loved the sound of the kettle whistling. Cheery, he thought as he turned the flame off. Companionable.
He shuffled to the kitchen door. “Clara, cuppa?” he shouted down the hallway but there was no reply. Maybe she wasn’t up yet—it had been a long trip for her yesterday. Perhaps he could make her up a tray, although she’d probably say he was fussing.
Just then he heard VanGogh barking from the garden. He drew back the curtain and peered out the kitchen window. There she was! Way down the back digging in the vegetable garden. Bless her soul. Must have got started early on that weeding. She was saying she would last night. Grandpa, you really need to get some help around the place! she’d scolded.
“Clara, love!” he shouted. Damn dog was making such a racket she didn’t hear him. Nothing for it but to go out there. He chuckled, thinking how she’d probably scold him again for wandering around outside in his pyjamas. Bossy little thing she could be. But a good girl coming all this way to visit him.
He slipped on his outdoor shoes and slowly made his way down the path to the vegetable garden. VanGogh bounded over to him and Grandpa Bob gave him a pat. “What are you two up to out here, eh VanGogh?” But Clara was so engrossed on her phone she didn’t even glance up. He was about to call out to her again when he saw what she’d dug up and the words stuck in his throat. He let out a small cry.
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